A nameless man arrives at a seedy bar to track down his estranged wife Mary, only to find he is not alone in searching for her. 

Inspired by an obsession with the cinema of Robert Bresson and David Lynch, filtered through a high-contrast Noir dream, this is a world where everyday objects (a pencil, some cards, a drinking glass, a kitchen knife) hold all the promise, power and threat of fetish items. Where nothing and no one can be trusted, not even by themselves. Where longing for something you cannot name and clinging to an identity that doesn't quite fit is the order of the day. Frightening, absurd, lonely, playful, violent, funny and monochrome - just like life.

Anxiety turns to violence as easily as the turning of a card.